“The New Narrative" paintings continue utilizing a time line for compositional arrangement. The information or data which is represented is organized top to bottom and back to front to signify subject matter’s relationship to each other’s location on the historical timeline. The tradition within painting’s golden age hold the forms of portrait, landscape and still life and are intentionally referenced through similar types of subject matter and made from similar materials but updated with contemporary color and light. The shift or oscillation from the previous abstract work, which included the same sorts of data like history, myth, mass culture and science, to works containing more realism nourishes my curiosity about the direction of my painting practice and offers new audiences, uninitiated to my abstraction, an opportunity to join the discourse.
“Cradled within the Bayeux Tapestry, Damien Hirst’s skull is plucked of all its diamonds.” 2020 oil on linen 22x30”
“A Qing banner, a Polaroid of the first atomic bomb and Apollo as a white crow guard the diamonds plucked from Damien Hirst’s skull.” 2020 oil on linen 22x30
“ The first image of Mickey Mouse came before this collection of Archaic stone tools.” 2020 oil on linens 24x30
“With a Hello Kitty horizon, a collection of South American butterflies obscures the first image of Mars from Mars.” 2020 oil on linen 24x30
“With Wonder Woman on the horizon, the national flowers of India and Pakistan cushion the leg bone of Evel Knievel.” 2020 oil on linen 24x30”
The national flowers of Iran, Iraq, and the Czech republic in the colors of Marge Simpson obscure my second Halloween mask and a hero from far far away. 2021 oil on linen 20x24”
The toe bone of Neil Armstrong propagates luck and conspiracy.2021 oil on linen 18x24”
